I think the nature of learning a craft, like really digging into what an artist was intending and what they meant when they were sharing, is all the same whether you’re seeing it as a performer or an audience observer. There’s also people that are still alive, like Bobby Watson, who's my mentor, and Pat Metheny and these different musicians. And here locally, people like Jay McShann and Charlie Parker. There are artists that we learn from who are long since passed on, like Louis Armstrong and Billie Holiday. I don't want to speak for everybody, but I think it's pretty universal for musicians that we get to take part in this dialogue that's been happening for over 100 years. I'll answer that in two ways: The first way is more internal for musicians. Audiences are coming back together to celebrate the music, and he shares how it makes this season especially meaningful. In a unique sit down conversation, Clint Ashlock shares his perspective on the Kansas City jazz scene. No matter your preference, the musicians offer a way for everyone to enjoy. For those who enjoy big band arrangements, the Orchestra offers subscription packages for their performances at the Kauffman Center during the 2022-2023 season. To see smaller groups of the orchestra perform, there is a Summer Series at the Black Box in the West Bottoms. The group has played at the Medallion Theater at Plexpod Westport, which is how we first came to learn about them in a past story. This year, they’ve begun the Riff Generation residency, which is a jazz ensemble that is deeply rooted in the spirit of creativity and improvisation. The big band offers performances in a variety of ensembles that showcase the talent in different light. While celebrating their 20th Anniversary season this year, the Kansas City Jazz Orchestra shows it has a long history of bringing people together.
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